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Posts tagged Some Girls

"Contains the hit single, 'Miss You!'" A magic moment when the wrapping matched the content. The Rolling Stones Some Girls, 1978

“Contains the hit single, ‘Miss You!'”
A magic moment when the wrapping matched the content.
The Rolling Stones
Some Girls, 1978

I recently found myself flipping through used vinyl at a store near the Berkeley campus. It was like slipping back into my pre-teen years when I would become enraptured by the look of an album cover. My parents owned more than a few of them. However there was a leaning toward 8-Track Tapes in my childhood. As soon as I was old enough to scrape some money together I would purchase some of these albums. Often these long playing records promised more on their covers than was delivered. But sometimes the music would not only match — it would be even better than the cover revealed.

What follows are the covers that I recall most vividly from my childhood. There is no particular order and no thought of content. This is a visual list of Art Design / Photography interlaced with promotion and art. Many are iconic — others not so much.

Sexy, funky and fierce... Betty Davis Betty Davis, 1973

Sexy, funky and fierce…
Betty Davis
Betty Davis, 1973

 

Go ahead, wander into the wonder of Village Ghetto Land... Stevie Wonder Songs in the Key of Life, 1976

Go ahead, wander into the wonder of Village Ghetto Land…
Stevie Wonder
Songs in the Key of Life, 1976

 

The ultimate in cool... The Who Who's Next, 1971

The ultimate in cool…
The Who
Who’s Next, 1971

 

"Mama's got a squeeze box she wears on her chest. And when Daddy comes home he never gets no rest. 'Cause she's playing all night..." The Who by numbers, 1975

“Mama’s got a squeeze box she wears on her chest. And when Daddy comes home he never gets no rest.
‘Cause she’s playing all night…”
The Who
by numbers, 1975

 

Speaking of The Who... TOMMY Original Movie Soundtrack, 1975

Speaking of The Who…
TOMMY
Original Movie Soundtrack, 1975

 

The Holy Mother of the Soundtrack Album... Saturday Night Fever 1975

The Holy Mother of the Soundtrack Album…
Saturday Night Fever
1977

 

Another soundtrack with which I was obsessed. And a really cool / iconic photography by Scavullo Streisand / Kristofferson A Star Is Born, 1976

Another soundtrack with which I was obsessed. And a really cool / iconic photography by Scavullo
Streisand / Kristofferson
A Star Is Born, 1976

 

Uh, oh! Is that Mick or Little Joe Dallesandro hiding behind the zipper? The Rolling Stones Sticky Fingers, 1971

Uh, oh! Is that Mick or Little Joe Dallesandro hiding behind the zipper?
The Rolling Stones
Sticky Fingers, 1971

 

"We're gonna come around at twelve with some Puerto Rican girls just dying' to meet you..." The Rolling Stones Some Girls, 1978

“We’re gonna come around at twelve
with some Puerto Rican girls just dying’ to meet you…”
The Rolling Stones
Some Girls, 1978

 

How many were inspired to learn the guitar after hearing this album? The art design is excellent. Led Zeppelin IV, 1971

How many were inspired to learn the guitar after hearing this album? The art design is excellent.
Led Zeppelin
IV, 1971

 

Amazing art direction / design and an album that continues to play throughout my life. Led Zeppelin Physical Graffiti, 1975

Amazing art direction / design and an album that continues to play throughout my life.
Led Zeppelin
Physical Graffiti, 1975

 

An artistic venture chronically five artists' messy shared life became an essential album. "Now here I go again, I see the crystal visions I keep my visions to myself, it's only me Who wants to wrap around your dreams and have you any dreams you'd like to sell?" Fleetwood Mac Rumours, 1977

An artistic venture chronically five artists’ messy shared life became an essential album.
“Now here I go again, I see the crystal visions
I keep my visions to myself, it’s only me
Who wants to wrap around your dreams and have you any dreams you’d like to sell?”
Fleetwood Mac
Rumours, 1977

 

"Don't say that you love me..." Fleetwood Mac TUSK, 1979

“Don’t say that you love me…”
Fleetwood Mac
TUSK, 1979

 

Glam! Roxy Music Roxy Music, 1972

Glam!
Roxy Music
Roxy Music, 1972

 

A bit of a kick with your glam... T. Rex T. Rex, 1972

A bit of a kick with your glam…
T. Rex
The Slider, 1972

 

The contents don't quite match up, but this is an awesome cover! Mott The Hopple The Hopple, 1974

The contents don’t quite match up, but this is an awesome cover!
Mott The Hopple
The Hopple, 1974

 

Going all ambient on our ass... Brian Eno Another Green World, 1975

Going all ambient on our ass…
Brian Eno
Another Green World, 1975

 

Leon Russell Will O' The Wisp, 1975

Leon Russell
Will O’ The Wisp, 1975

 

Play that funky music white boy... Wild Cherry Wild Cherry, 1976

Play that funky music white boy…
Wild Cherry
Wild Cherry, 1976

 

Welcome to NYC Punk... The Ramones The Ramones, 1976

Welcome to NYC Punk…
The Ramones
The Ramones, 1976

 

NYC PUNK tries some tongue in cheek disco and goes mainstream... Blondie Parallel Lines, 1978

NYC PUNK tries some tongue in cheek disco and goes mainstream…
Blondie
Parallel Lines, 1978

 

NYC PUNK goes top ten seeing no evil... Television Marquee Moon, 1977

NYC PUNK goes top ten seeing no evil…
Television
Marquee Moon, 1977

 

Mapplethorpe captures the pristine moment of NYC PUNK gone deep within artistic rebellion... Patti Smith Horses, 1975

Mapplethorpe captures the pristine moment of NYC PUNK gone deep within artistic rebellion…
Patti Smith
Horses, 1975

 

Iconic, controversial and defiantly erotic... Patti Smith Group Easter, 1978

Iconic, controversial and defiantly erotic…
Patti Smith Group
Easter, 1978

 

"She's got electric boots a mohair suit You know I read it in a magazine..." Elton John Goodbye Yellow Brick Road, 1973

“She’s got electric boots a mohair suit
You know I read it in a magazine…”
Elton John
Goodbye Yellow Brick Road, 1973

 

Does it get any cooler? David Bowie Aladdin Sane, 1973

Does it get any cooler?
David Bowie
Aladdin Sane, 1973

 

It might have only had one hit single, but who wouldn't want to take Cher home in her disco armor?!?! Cher Take Me Home, 1979

It might have only had one hit single, but who wouldn’t want to take Cher home in her disco armor?!?!
Cher
Take Me Home, 1979

 

Watch out! There's a ghost hiding inside the gate fold! Eagles Hotel California, 1976

Watch out! There’s a ghost hiding inside the gate fold!
Eagles
Hotel California, 1976

 

Make fun all you want, this is a cool album cover dedicated to the new age of 1970's Disco. Bee Gees Main Course, 1975

Make fun all you want, this is a cool album cover dedicated to the new age of 1970’s Disco.
Bee Gees
Main Course, 1975

 

So one could argue that 1970 was still the 1960's, but this album both rocked and scared me! Featuring a cover that haunts... Black Sabbath Black Sabbath, 1970

So one could argue that 1970 was still the 1960’s, but this album both rocked and scared me! Featuring a cover that haunts…
Black Sabbath
Black Sabbath, 1970

 

There might only be a couple of hits on each album, but Carly Simon gave some great record cover in the 1970's. Carly Simon Boys In The Trees, 1978

There might only be a couple of hits on each album, but Carly Simon gave some great record cover in the 1970’s.
Carly Simon
Boys In The Trees, 1978

 

Unexpected cool cover from Streisand. Great cover of Carole King's "Where You Lead" and a deeply painful cover of John Lennon's "Mother." But Ed Thrasher's photography is awesome. Barbra Streisand Barbra Joan Streisand, 1972

Unexpected cool cover from Streisand. Great cover of Carole King’s “Where You Lead” and a deeply painful cover of John Lennon’s “Mother.” But Ed Thrasher’s photography is awesome.
Barbra Streisand
Barbra Joan Streisand, 1972

 

A folk singer goes in a whole new direction... Joni Mitchell Hejira, 1976

A folk singer goes in a whole new direction…
Joni Mitchell
Hejira, 1976

 

Pop and funky fashions! ABBA Greatest Hits, 1975

Pop and funky fashions!
ABBA
Greatest Hits, 1975

 

This band hypnotized me and most of my elementary school friends. Plus a power ballad! KISS Destroyer, 1976

This band hypnotized me and most of my elementary school friends. Plus a power ballad!
KISS
Destroyer, 1976

 

I never really got into this album, but I loved the way it all looked! Alice Cooper From the Inside, 1978

I never really got into this album, but I loved the way it all looked!
Alice Cooper
From the Inside, 1978

 

One of those album covers that just sticks in your mind. ...As do many of its songs. Alice Cooper Welcome To My Nightmare, 1975

One of those album covers that just sticks in your mind. …As do many of its songs.
Alice Cooper
Welcome To My Nightmare, 1975

 

This cover is either really bad or really good. I'm not really sure, but I will never forget it. And they did rock us. Queen News of the World, 1977

This cover is either really bad or really good. I’m not really sure, but I will never forget it. And they did rock us.
Queen
News of the World, 1977

 

Awesome album cover! Lou Reed Coney Island Baby, 1976

Awesome album cover!
Lou Reed
Coney Island Baby, 1976

 

Mom and Dad, meet Joe Strummer... The Clash The Clash, 1977

Mom and Dad, meet Joe Strummer…
The Clash
The Clash, 1977

 

Yet another cool album cover from Strummer and friends... The Clash London Calling, 1979

Yet another cool album cover from Strummer and friends…
The Clash
London Calling, 1979

 

Impossibly cool album cover. The contents would later accompany on more than a few trips. ...so to speak. Michael Oldfield Tubular Bells, 1973

Impossibly cool album cover. The contents would later accompany on more than a few trips. …so to speak.
Michael Oldfield
Tubular Bells, 1973

 

A fantastic photograph to accompany her most polished effort. It arrived after she died. Iconic and essential. Janis Joplin Pearl, 1971

A fantastic photograph to accompany her most polished effort. It arrived after she died. Iconic and essential.
Janis Joplin
Pearl, 1971

 

Perfect. Pink Floyd Far Side of the Moon, 1973

Perfect.
Pink Floyd
Far Side of the Moon, 1973

 

Never has a discarded fashion shoot yielded such a classic album cover! David Bowie Pin Ups, 1973

Never has a discarded fashion shoot yielded such a classic album cover!
David Bowie
Pin Ups, 1973

 

Matty Stanfield, 6.8.16

 

“One way or another I’m gonna see ya I’m gonna meetcha meetcha meetcha meetcha
One day, maybe next week I’m gonna meetcha, I’ll meetcha And if the lights are all out
I’ll follow your bus downtown see who’s hanging out. One way or another…”

Blondie NYC | 1978 Photograph | Edo Bertoglio

Blondie
NYC | 1978
Photograph | Edo Bertoglio

In October of 1978 many things were changing in my life. I was soon to be 12 years old, I had an awesome new baby brother, my parents were approaching the edge of divorce, and the summer before he arrived I was making friends with a whole new breed of people. Looking back it is a miracle that I survived without ever getting into any heavy trouble. But I suspect most of us look back at 11-14 as a time when things in our lives started to take dramatic shift.

I have always love movies and music. In 1978 a new kind of music was catching my ears and eyes thanks to “FM College Radio, The Rolling Stone, Smash Hits, Circus, Creem and The Midnight Special. It was called “Punk” and it was very quickly morphing into a sort of hybrid called “New Wave” or “No Wave.”

It was around this time I first saw and heard Kate Bush. Her voice and image would stop me in my tracks. If you go to YouTube and seek out Kate Bush’s 1978 Wuthering Heights vid-clip, you will see an impossibly low-fi and over-the-top almost cheezy sort of soft-focus mess. But in 1978, if you were lucky enough to see this clip it was amazing. No one, to my knowledge, had ever heard or seen anything quite like this. The first thing that caught your attention was her voice. Almost ear-splittingly shrill — Kate Bush’s voice could soar so far into the atmosphere and then pummel back down with a low tonal quality that was at once beautiful, discordant and disturbing. The music itself was melodic and catchy. Then the visual.

"Out on the wiley, windy moors we'd roll and fall in green. You had a temper, like my jealousy. Too hot, too greedy. How could you leave me when I needed to possess you? I hated you, I loved you too..." Kate Bush Withering Heights promo vid-clip, 1978

“Out on the wiley, windy moors we’d roll and fall in green. You had a temper, like my jealousy. Too hot, too greedy. How could you leave me when I needed to possess you? I hated you, I loved you too…”
Kate Bush
Withering Heights promo vid-clip, 1978

We did not yet know Kate Bush. She would quickly become known as “reclusive,” eccentric,” “mysterious” and not an artist particularly interested in jetting her way around the globe promoting her work. When we heard she would be on MTV, it turned out to be an odd sort of vid-clip. What Kate Bush was doing would soon become a major part of our culture. This was the very early MTV kind of thing that would evolve it’s way toward oblivion.

"Bad dreams in the night. They told me I was going to lose the fight. Leave behind my Wuthering, Wuthering Wuthering Heights..." Kate Bush Wuthering Heights Vid-Clip, 1978

“Bad dreams in the night. They told me I was going to lose the fight. Leave behind my Wuthering, Wuthering
Wuthering Heights…”
Kate Bush
Wuthering Heights
Vid-Clip, 1978

 

But seeing Kate Bush in this initial video was an odd experience. You saw a thin and clearly beautiful girl. She never seemed to blink. She was constantly moving. At times graceful and at other times almost threateningly pounding the ground. In some clips she would be outside in a red flowing sort of long dress, but most times she would be in a long flowing white dress. Either time she would begin jumping, twirling, spinning and summersaulting into soft-focus blurred visual-echo-effect. At time she would twirl about that all you could really see was a blurry white mass.

"Heathcliff, it's me, Cathy Come home! I'm so cold, let me in your window. Ooh, it gets dark, it gets lonely on the other side from you..." Kate Bush Wuthering Heights Vid-clip, 1978

“Heathcliff, it’s me, Cathy Come home! I’m so cold, let me in your window.
Ooh, it gets dark, it gets lonely on the other side from you…”
Kate Bush
Wuthering Heights
Vid-clip, 1978

It was altogether different and strange. It was not Rock. It was not Punk. It was not New Wave. For her first three albums Kate Bush simply did not fit in. For lack of any other label, she was assigned “Prog-Rock.” But she was a game-changer. But, although she shook me ’round. It would be a couple of more years before I would actually enter a Sam Goody and request a copy of her albums be ordered for me.

Kate Bush The Kick Inside, 1978 Photograph | Jay Myrdal Art Direction / Design Splash Studio, John Carder Bush & Del Palmer

Kate Bush
The Kick Inside, 1978
Photograph | Jay Myrdal
Art Direction / Design
Splash Studio, John Carder Bush & Del Palmer

 

It was also around this time that I began to pay closer attention to the this band called The Patti Smith Group. Of course, KISS was already in my subconscious and my mind was constantly in battle over Disco vs. Rock. This debate was a heavy topic on my “newfriends‘ conversations. The movie, Grease, was immediately deemed “uncool.”

"Do ya think I'm sexy?" Rod Stewart holding tightly to Cher, slips into disco, 1978 Photograph | Claude Mougin

“Do ya think I’m sexy?”
Rod Stewart holding tightly to Cher, slips into disco, 1978
Photograph | Claude Mougin

The Bee Gees were “soul-less hacks” and Rod Stewart has “sold out.”

I hid my Captain & Tennille, Andy Gibb, Saturday Night Fever and Donna Summer records. I did not mention them. Everyone knew I loved Barbra Streisand. This was accepted. In some way my defense of Streisand earned me points. I didn’t care what anyone thought. I was possessed. And it was considered very cool that I was the only one of the “clan” who had seen The Exorcist, A Star Is Born, Saturday Night Fever and Carrie in the cinema. I was asked to discuss all three movies in depth. The idea being that if I explained what I saw, then they too could claim to have seen them.

If you have a taste for terror... Carrie Brian De Palma, 1976

If you have a taste for terror…
Carrie
Brian De Palma, 1976

Being 11 going on 12, it was not always easy to find or secure the records of these new voices. The same was true for some of these cool people who were a few years older than me. I had known them for years. This were the kids who chased me and other friends around the local park and elementary school yard. Now they were in Jr. High and a couple had siblings in high school. These connections were not solid, but they offered adventure and access to the sonic treasures I needed. I was considered cool because I already had a Blondie album, Plastic Letters, and Radio Ethiopia by The Patti Smith Group. I can’t even recall how I landed these albums. I also had a growing collection of both Creem and Circus magazines that I had wrangled both my Grandmother and strange father into buying for me.

Pissing in the River and Poetic Rebellion -- Welcome to NYC PUNK. Patti Smith Group Radio Ethiopia, 1976 Photograph | Robert Mapplethorpe

Pissing in the River and Poetic Rebellion — Welcome to NYC PUNK.
Patti Smith Group
Radio Ethiopia, 1976
Photograph | Robert Mapplethorpe

Yeah, man. I was a cool 11 year-old. Though, I had The Patti Smith Group album since I was 9.

One night something came on The Midnight Special, Wolfman Jack’s voice introduced what would turn out to be a video of Blondie. The impossibly cool group of people seemed trapped in some sort of empty dance studio with a big disco ball being passes about. This was totally cool and yet disturbing. Of course this was the very early days of the music vid-clip that would soon take over my generations’ lives. The disturbing element was that Debbie Harry and friends were lip-synching to a disco song! Debbie Harry’s once-heavily sprayed hair was now sloppy-cut shorter. She still seemed sullen and teasingly bored as she “sang” that what had been a gas was really nothing but a Heart of Glass.

 

"Once I had a love and it was a gas Soon turned out had a heart of glass Seemed like the real thing, only to find Mucho mistrust, love's gone behind..." Blondie Heart of Glass, 1978 Photograph | Martyn Goddard

“Once I had a love and it was a gas
Soon turned out had a heart of glass
Seemed like the real thing, only to find
Mucho mistrust, love’s gone behind…”
Blondie
Heart of Glass, 1978
Photograph | Martyn Goddard

 

I shall not lie. I loved it. But I was hesitant to openly admit it. The next day, a Sunday I believe. Me and my actual friend, and the only other person under 13 were huddled with the others. Scoring cigarettes, beer or weed and the topic of Blondie’s Heart of Glass were the main conversation points. One kid spouted out an angry opinion that Blondie, like Rod Stewart, had sold out and only KISS and The Stones were truly cool. When a couple of others mentioned Led Zeppelin  and Fleetwood Mac, they were “shhhh’d.”

But then the coolest of us all (and the eldest) stood up, pushed out her ever growing boobs harnessed in by a way cool and far too-tight Who baseball jersey and stated, “Heart of Glass is a reaction against the stupidity of Disco. It is New Wave. It is even cooler than anything KISS will ever do!”

Now, I and my friend were only allowed into this circle because we were willing to run errands and stuff. We were allowed cigarettes and some weed but that was all. We were seldom allowed to speak. We were just lucky to be there. Everything grew very quiet.  This girl, I shall call her “X” had just made an assertion that threatened the cool of KISS!   Everyone sat slack-jawed at the 15 year old girl scowled at the the 14 year old boy who the self-imposed leader of this lame little gang. Even the leader didn’t know how to respond to X.

For those of you too young to remember or too old that you might have forgot:

KISS was starting to lose some cred. They were on the same record label as The Village People. And while we knew it was coming — nothing could prepare us for the serious “lame” of their infamous TV Movie, KISS Meet the Phantom of the Park. It was with this television special that KISS would seriously loose it’s cool for quite a while and became more popular with little kids. KISS was about to fully “sell out.”

The KISS Solo Albums are on the way! And don't miss the spectacular Action Movie, "KISS Meets The Phantom" ...wished we could have missed it. KISS was about to stop being cool for a very long time.

The KISS Solo Albums are on the way! And don’t miss the spectacular Action Movie, “KISS Meets The Phantom” …wished we could have missed it. KISS was about to stop being cool for a very long time.

At any rate, there was a growing vibe against the cool of KISS, yet it was not fully articulated. Although we were eagerly awaiting the TV Movie and the solo albums that we knew were headed our way.

I remember taking a deep breath. I was the first one to speak after X made the shocking statement.

“X is right. I mean, Circus and Creem are calling Blondie the coolest. Creem even called their new song ‘No Wave.'”– this was particularly bold of me because I didn’t understand the difference between New Wave or No Wave — and, to be honest, Heart of Glass sure sounded like standard Disco to me. I had already sort of worked my way up the ladder of this group of older kids. Largely because I had a big mouth and refused to show fear or intimidation. I, alone, had stood up for Fleetwood Mac’s TUSK and boldly stated that no one should ever speak against Led Zeppelin. And, I still stand by those opinions. However this debate would continue for a few weeks.

Then at the beginning of fall of 1978 a major event took place:

The Rolling Stones’ Some Girls, The Kiss Solo Projects and Blondie’s Parallel Lines albums all came out at about the same time! And none of us had them!

The Columbia House ads had not yet posted these three albums to their loop of “Get 11 albums for a Dollar!” campaign.

13 Records or Tapes for only $1!!!!!!!

Would you believe? 13 Records or Tapes for only $1!!!!!!!

This was a marketing gambit that all of us, and probably you, took full advantage of with fake names hoping your parents would not beat you to the mail. Columbia House would attempt to chase us down well into the 1990’s to no avail. Odd marketing strategy that escapes reason even all these years later. How many record collections were started thanks to Columbia House? Anyway, The Stones & KISS & Blondie were not yet articulated as a part of the Columbia House Marketing Concept.

You're in for something fresh...

You’re in for something fresh…

A few days later, my same-aged pal — I will call him “J” — and fellow member of this mis-formed clique,  was at Albertsons with his mom he made a magical discovery! Now our Albertsons was obsessed with stamping out all competition. They even opened up a “Record Department” for a shot while. J grabbed me and we went straight over to let everyone know what J had discovered.

Albertsons was selling The Stones’ Some Girls, 2 of the 4 Kiss Solo albums and Blondie’s Parallel Lines for $5.99 each!!!

KISS Gene Simmons  Solo Album, 1978 Painting |  Eraldo Carugati Featuring the likes of Helen Reddy and Donna Summer. KISS just lost it's cool...

KISS Gene Simmons
Solo Album, 1978
Painting | Eraldo Carugati
Featuring the likes of Helen Reddy and Donna Summer. KISS just lost it’s cool…

Now at this time my brother had just been born. My house was in a constant state of confusion. So it was easy to slip out and do things I wanted to do. X arranged to get a ride in her older brother’s car. It was decided that she and I would go and purchase the records. X held the money, but I already had a $5 bill and almost $2.80 in change. I was determined to get a copy of Parallel Lines.

X’s brother was a jerk. X declared him lame. True enough, he was playing the Mary MacGregor 8-Track as we drove to Albertsons. As she crooned about being torn between two lovers I innocently told X’s brother than my mother had this tape. X started laughing and slipped her hand back for me to give her “five.”

Like only a little sister can, she leaned forward to her brother and teased, “Wow, you are sooooo cool! Matty’s mom likes this too!

X’s brother exhaled, ripped the tape out and replaced it with a Leo Sayer 8-Track. This reaction made both X and me laugh.

Blondie Parallel Lines, 1978 Photograph | Edo Bertoglio

Blondie
Parallel Lines, 1978
Photograph | Edo Bertoglio

We rushed into the side entrance of Albertsons past the huge magazine and book racks and went straight to the shiny new Record Department. I grabbed my copy of Parallel Lines as X grabbed several copies of each album. I rushed to the cashier stand. The lady rang me up. I paid her. She then took out a box-cutter and sliced the shrink wrap open and placed a huge blue “Albertsons” sticker on my valued treasure! I was outraged!

“No! I don’t want that sticker!”

“Sorry, Kid-O. Store policy.”

X stood up for me, “Hey, he paid for that and you’re ruining the record!”

“Hon, it’s just a sticker. That way we know it was paid for.”

X stood her ground. “He doesn’t want that record now. He wants a different copy without your lame sticker. He is paying. We are going to leave right after you ring me up.”

“Look, Miss Smarty-Pants, any record anybody buys here is going to get a sticker on it! Now you stop giving me lip, Missy!”

X signaled for me to take my “damaged” album. She handed her slew to the bitch behind the counter.

“My oh my! This is a lot of records!”

The demented shrew proceeded to slash the shrink wrap and place the blue sticker on each copy. She even tore the Stones’ specially designed album cover’s cut-outs. But she didn’t pay attention to X’s protests.

As we walked back outside toward her brother and his suspicious music tastes, X turned to me. She took my cope of Parallel Lines and ordered:

“Go back in there, pick up a new copy of the Blondie record and pick up a new copy of the Gene Simmons record. We’ll be waiting outside the side door. That bitch is not gonna mess up our albums!” 

I told her no. That I didn’t want to get into trouble for stealing. Clearly, X wasn’t going to do this. She was going to make me do it for her.

“You are not stealing. You are taking what is ours! She won’t notice you. You’re a kid. You look innocent. Just do it”

“NO!”

And then she hit me where I lived.

“If you don’t do it, I will make sure that you and J are miserable until I graduate from high school! No shit! I mean it!”

This served as a sort of Tipping Point toward the pending teenage rebellion.

I was terrified. But as I walked into the store, passed the magazine and book racks my fears turned into a sort of dared energy. I was walking fast, but with purpose. I suddenly saw the sweet looking Albertsons lady at the counter as My Enemy. This is probably the biggest trick to shoplifting: I didn’t hesitate or act like I was trying to hide anything.

I simply walked up, pulled both of these albums out of their respective cubbies, turned and walked out of the store. X, her brother and his car were waiting just outside the side entrance. I got in and handed her the Gene Simmons album. I held my Blondie album close to my chest. I was not caught and my cool prestige was knocked up several notches.

12 Pulsating Tracks! Parallel Lines is circulating round in circles at your nearest record shop!  Blondie  Parallel Lines Advert 1978

12 Pulsating Tracks! Parallel Lines is circulating round in circles at your nearest record shop!
Blondie
Parallel Lines Advert
1978

I would soon start working for a donut shop and would lose touch with everyone of X’s team. I’d also lose contact forever with J.

And, about 12 years later I would present my baby brother with the the few albums I did not sell to pay for my voyage out of Texas to Boston. It was January of 1991 when I sat down with my brother and explained the importance of The Beatles, John Lennon, Fleetwood Mac and Blondie. I was worried he might face the wrath of our mother if I left him with any Patti Smith, Led Zeppelin, Pink Floyd or Who albums. I sold those. Although, I might have given him a Stones, Doors and maybe even one Pink Floyd album. I can’t remember.

Anyway, I think the records I gave him pushed him toward the Greater Cool.  At least, it felt like it. I hope they did. And I hope he never had to steal. That one time in the early fall of 1978 was the last time I stole. Well, sort of. Leave me alone! 

"Well, I've been haunted in my sleep. You've been staring in my dreams. Lord I miss you. I've been waiting in the hall. Been waiting on your call. When the phone rings. It's just some friends of mine that say, "Hey, what's the matter man? We're gonna come around at twelve with some Puerto Rican girls that are just dyin' to meet you! We're gonna bring a case of wine. Hey, let's go mess and fool around. You know, like we used to..." The Rolling Stones slip into a bit of disco... Some Girls, 1978

“Well, I’ve been haunted in my sleep. You’ve been staring in my dreams.
Lord I miss you. I’ve been waiting in the hall.
Been waiting on your call. When the phone rings. It’s just some friends of mine that say,
“Hey, what’s the matter man? We’re gonna come around at twelve with some Puerto Rican girls that are just dyin’ to meet you! We’re gonna bring a case of wine. Hey, let’s go mess and fool around. You know, like we used to…”
The Rolling Stones slip into a bit of disco…
Some Girls, 1978