Debbie FUCKING Harry
Koo Koo | 1981
Art Direction / Design | HR Giger
Photograph | Brian Aris
Rockbird | 1986
Art Direction / Design | Andy Warhol / Stephen Sprouse
Photograph | Guzman
Fractured Memories From An Early 90′s Drug Haze
Hey, Club Kidz!
It’s 3am, the lights are bursting, my heart is racing, everyone is moving so slow and fast at once and I love everybody!
“Hunny Hunny” is blasting through my skull like fucked-up brain candy.
Who needs that fucking water?!?!?
These platform shoes don’t hurt anymore!
What’s my phone number?!?!? Move!
Fuck Off and dance!
Glitter! Glitter! Thump! Thump! Fuck you, Man – - How did YOU get in here?!!?
We all fall down.
Wait! Dude!?!?
It can’t be stopped. He pulls me and we roll through vomit and piss. Is he kissing me now?!?
Dance! Just Dance!
And, now, dancing down some alley.
…dancing to some odd adventure at a grocery store.
Disco groceries?!?!?
The glitter trails behind us as we stumble-dance our way around the aisles.
Is that noise real or is it in my head?
Is that your hand?
Can you turn down the lights here?
Thump! Thump!
Tripping out onto the street…
Well, this is just a brief memory from a somewhat forgotten and misspent youth.
Matty Stanfield | NYC | 1993
My Favorite Films of 2012 – Thus Far…
There are still a couple of movies scheduled for release this year, but I don’t hold very high expectations. However, one can’t close his/her mind.
Thus far – these have been my favorite films of 2012:
THE PAPER BOY/Lee Daniels
LOOPER/Rian Johnson
Dark Horse/Todd Solondz
Amour/Michael Haneke
This Must Be The Place/Paolo Sorrentino
Prometheus/Ridley Scott
The Queen of Versailles/Lauren Greenfield

Timur Bekmambetov’s Lincoln: Vampire Hunter so earnestly silly that I loved every over-the-top moment.
Abraham Lincoln: Vampire Hunter/Timur Bekmambetov*

Colin Trevorrow’s SAFETY NOT GUARANTEED seemed to come out from nowhere and managed to work on all levels.
Safety Not Guaranteed/Colin Trevorrow
*(I know it was incredibly stupid, but the absurdity of it all made me love it!)
Moonrise Kingdom by Wes Anderson almost made my list, but it somehow just felt too slight for me. However, it was worth the price of admission.

Wes Anderson’s MOONRISE KINGDOM almost grabbed me, but all those great cinematic moments just didn’t add up to much more than a trifle.
Thus far, the two performances by actors that totally blew me away were:
Michelle Williams in Take This Waltz
and
Joaquin Phoenix in The Master
(tho, I didn’t really care for either of those movie — those two actors wereAMAZING in them!)
Looking back, 2012 was one of the worst years I can recall at the cinema. However, there were a few gems. Thus far, these are the ones that most glowed for me.
WHITE MATERIAL BY CLAIRE DENIS
WHITE MATERIAL
Claire Denis/2009
Isabelle Huppert, Christophe Lambert and Nicolas Duvauchell

Isabelle searing the screen with strength against all logic in Claire Denis’ quietly powerful WHITE MATERIAL
Destined to go down as one of the best films of the early 21st Century. I think it just takes time for great art to be understood and viewed from the correct perspective.

The threat of death is ignored for the struggle for what is perceived as hers… Isabelle Huppert in WHITE MATERIAL
As the white woman holds on to the bus filled with hostile Africans, she is determined to claim her rights as a fellow native. …Lost and out of place, but refusing to let go. She simply cannot fathom that “her” country is no longer – nor has it ever really been – hers.
…or that of her family.
TEN QUESTIONS ABOUT FILM ART
I thought I would supply my answers to the following questions:
Blue Velvet
What is your all-time top best movies list?
Who are the 5 top most important film makers thus far?
THE POETRY OF KRIS KRISTOFFERSON
A friend of mine told me that poetry and poets died away in the second half of the 20th Century. I strongly disagree. While most popular songwriter opt for catchy lyrics with little to no significant meaning there are still a vast number of poets out there. From the song lyrics of Bonnie Prince Billy to Conor Oberst to Regina Spektor to Nick Cave to PJ Harvey to Sondre Lerche to Shelton Hank Williams III: Poetry is very much alive and well.
“For my money the lyrics of Joni Mitchell and Leonard Cohen are right up there with the great poets of all time. The difference is that their words are set to music. However, deep down to the bones of my soul, I’ve always felt a connection to the words of Kris Kristofferson. It almost seems that every song this artist has written is a poetry that speaks to me and my feelings of the world.
“Jesus was a Capricorn, he ate organic foods.
He believed in love and peace and never wore no shoes.
Long hair, beard and sandals and a funky bunch of friends.
Reckon they’d just nail him up if He come down again.
‘Cos everybody’s got to have somebody to look down on.
Who they can feel better than at anytime they please.
Someone doin’ somethin’ dirty, decent folks can frown on.
If you can’t find nobody else, then help yourself to me.
Get back, John!
Egg Head’s cousin Red Neck’s cussin’ hippies for their hair.
Others laugh at straights who laugh at freaks who laugh at squares.
Some folks hate the whites who hate the blacks who hate the clan.
Most of us hate anything that we don’t understand.
‘Cos everybody’s got to have somebody to look down on.
Who they can feel better than at anytime they please.
Someone doin’ somethin’ dirty, decent folks can frown on.
If you can’t find nobody else, then help yourself to me.
Help yourself, brother.
Help yourself, Gentlemen.
Help yourself Reverend.”
Kris Kristofferson, 1974
I do believe that Kristofferson dedicated or thanked a fellow artist, John Prine, regarding this piece/song.
THE ASSASSINATION OF JESSE JAMES BY A COWARD…
The Assassination of Jesse James by the Coward Robert Ford
Andrew Dominik, 2007
Cinematography by Roger Deakins
Brad Pitt and Casey Affleck
“…There would be no eulogies for Bob, no photographs of his body would be sold in sundries stores, no people would crowd the streets in the rain to see his funeral cortege, no biographies would be written about him, no children named after him, no one would ever pay twenty-five cents to stand in the rooms he grew up in. The shotgun would ignite, and Ella Mae would scream, but Robert Ford would only lay on the floor and look at the ceiling, the light going out of his eyes before he could find the right words.”
A brilliant study in human cruelty and betrayal stunningly filmed by Roger Deakins.
Matty Stanfield
August/2012
JOHNNY GUITAR: The Odd Western Out…
JOHNNY GUITAR
Nicholas Rey, 1954
Joan Crawford as Vienna, Mercedes McCambridge as Emma and Sterling Hayden as “Johnny Guitar”
Emma: “I’m going to kill you.”
Vienna: “I know. If I don’t kill you first.”
Perhaps the strangest Hollywood Western ever made. Is it a cleverly disguised metaphor for the horrors of the McCarthy Era or an early peek into the taboo of lesbians on the wild frontier? 
From a typical over-the-top-of-the-Hollywood-Sign performance by Joan Crawford – who seems twice “the man” of any male character in the movie to the Actors Studio Turn of Mercedes McCambridge seething with both anger/lust for Joan Crawford’s character.

Mercedes McCambridge giving all the confused and angry lesbian subtext she can muster as Emma in JOHNNY GUITAR
From the the “oddly” soft performances and lines of the male characters to the almost surreal back-drop of the walls of Joan Crawford’s salon.
I believe the saloon is meant to be built into the earth, but the purposely fake set looks suspiciously yonic. Which of course brings a whole new concept of “eating scenery” — especially for Ms. Crawford.
Johnny: “There’s only two things in this world that a REAL MAN NEEDS a man NEEDS in this world: a cup of coffee and a good smoke…”
(hmmm….)
Whatever – you will never get bored watching JOHNNY GUITAR…

JOHNNY GUITAR: Certainly Art. Certainly Strange. Certainly Entertaining. But, what does it all mean?
Olive Films has finally issued a remastered print of JOHNNY GUITAR on Blu-Ray which features an introduction by Martin Scorsese. An endlessly interesting twist of a Hollywood Western.
Matty Stanfield
August/2012
THE HANK3 SHUFFLE
Look it, I know I’m one of those “Aging Hipsters” — I own it. And, I’m not ashamed. Most of my friends who are my age seem to scratch their heads when it comes to my taste in movies, art and music. Tho, a few of them still enjoy the music we all ran to back in the day (the 90′s)
Also, aside from my love of Barbra Streisand — I don’t easily fit into the whole “Gay Community Ideology” or “gay stereotype” — I don’t even like referring to myself as “gay” – this seems to limiting a label that is associated with so many things that I would rather not be associated.
I’m not at all ashamed of being “gay” and I’ve never been one of those “soft boys” — if someone tries to give me some homophobic shit – I address it. I don’t back down. I stand my ground.
…hey, that sounds like a song.
Anyway, so I’m a middle aged queer hipster. I make no apologies.
Sadly, I’ve lost focus on what I was going to write. Most likely this is due to the fact that I’m getting old! Dammit!
The thing is that I can tell I’m “old school” because I clutch my iPhone/iPod as if it were my child. I love music. And, if I get music I do pay for it. I usually download from iTunes. Corporate bullshit, I know. But, I don’t like to just take an artist’s music without having paid.
Look it — a lot of these people work hard. They deserve more than their labels share with them, but I don’t want to feel like I’m ripping any artist I enjoy off.
Unless we are speaking of Metallica who are so uncool on this issue that I wouldn’t think twice about downloading their shit for free. However, this aging hipsters haven’t recorded a song I’ve liked since the early 90′s. So, that is a mute point.
So, iPods do this shuffle thing based on similarities to your music library and songs that are also liked by others who like one song to the next. In other words, Apple tracks what people download and connects the dots from one song/artist to another. I’m sure they are also gathering information to ultimately own my soul. However, my soul is mine. Good luck to any poor person or entity who thinks it can be had.
I do not often “shuffle” — as I like to hear what I want to hear when I want to hear it. But, today I was killing time and I was listening to:
Hank3 - “Don’t Ya Wanna”
from his Ghost To A Ghost album, which is fucking brilliant, by the way.
I selected “Genius Shuffle” and it came up with an awesome mix! I mean, Apple has me figured out -
so here are the first 8 tracks of The Hank3 Shuffle:
Hank3/Don’t Ya Wanna
Tom Waits/God’s Away on Business
Alice In Chains/Again
Led Zeppelin/The Rover
Marlena Shaw/California Soul

Marlena Shaw: Out of Different Bags — Not sure how this ended up on the shuffle but it totally works.
New York Dolls/Personality Crisis
Alice Cooper/I’m 18
Black Sabbath/Evil Woman
Fucking awesome mix of 25 songs.
(the 9th/10th/11th songs were “Hellbilly” by H3 and “Slip Kid” by The Who and “Too Drunk To Fuck” by The Dead Kennedys)

The Who: By The Numbers: Before Pete Townsend was deaf and Roger Daltrey was busy running a fish farm. Oh, and Keith Moon and John were still alive…
Anyway, this is a rather rambling post of little import other than Apple has gotten fairly clever with marketing by utilization of their Genius information gathering from users’ music libraries.
Aging Hipsters: Unite!
Do not go quietly into the night. No, my friends. Rock. Rock the fuck out, baby…
Matty Stanfield
August/2012
THE IMPORTANCE OF TALKING ABOUT KEVIN…
WE NEED TO TALK ABOUT KEVIN
Lynne Ramsay, 2011
Tilda Swinton and Ezra Miller
Musical Score: Jonny Greenwood
“…In the wake of a tragedy like the Colorado shooting, the families of victims must navigate a complicated emotional landscape. But so, too, must the families of those charged with the crimes, as they suddenly face all kinds of deeply disturbing questions…”
ALIX SPIEGEL, NPR - All Things considered, August 1.2012
With the most recent senseless tragedy, it reminds me of how everyone gets tied up in all the wrong questions — the biggest error in thinking is to ask “why” —
Something that both the book and the film by Lynne Ramsay address is that beyond that insanely simple question lies the more important concern: “how does this end up happening?”
As a society we are so quick to blame the parents, but in truth the problem goes much deeper. The “signs” and “messages” sent by a child/young person/adult sends are sometimes quiet and disarming to those closest to them. Objectively, there are always “signs” and “messages” but we as a society fail to take notice. We fail to address. We fail to actually listen to the people around us.
When a spouse/parent/sibling/lover/teacher/doctor/fellow student/co-worker/friend/supervisor notices something and brings it to the attention of another – the knee jerk reaction is to comfort and question. This knee jerk reaction is a more comfortable way to respond to someone saying things like:
“I’m concerned about the way Kevin is acting.”
“Kevin acts one way with you but another with me.”
“Something Kevin did really worries me.”
“Why does Kevin never come out of his room?”
…is to say something like:
“Oh, I’m sure Kevin will be fine.”
“Don’t worry so much. Kevin is just going through a phase.”
“I think you’re exaggerating.”
“Oh, well, look it – Kevin’s under a lot of pressure. He’ll work through it.”
This is a mistake. Not only do we fail to provide an individual to express their concerns and treat them as possibly valid as have many relatives, friends, co-workers, teachers, students and even doctors. This was certainly the case for the families of the two students who committed the unspeakable crimes in Columbine. The parents did seek help and it is clear that the parents of the young man who premeditated a horror beyond imagination at a cinema in Colorado.
If someone in your life expresses a concern about anything — you need to listen and talk about Kevin.
The self-defensive and easy way is to avoid discussion. The important thing is to actually push to discuss and address. Otherwise, the caring people closest to the criminals are left alone. Isolated and blamed. 
We learn this from every family that goes through the horror of discovering that their child or their husband or lover or friend or brother or sister or relative is a mass murderer. And, most often, we as a society/culture place the blame on those closest to the criminal. They then become the ultimate criminal in our minds. Which is so wrong.
No parent sets out to raise a cold-blooded killer.
We need not ask “why” — we need to ask “how” and to start listening to the people we care about and with whom we share and spend our time.
“Why” is the easy way out….



































































































