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Debbie FUCKING Harry
Koo Koo | 1981
Art Direction / Design | HR Giger
Photograph | Brian Aris
Rockbird | 1986
Art Direction / Design | Andy Warhol / Stephen Sprouse
Photograph | Guzman

Book of Love | Love Bubble

Book of Love | Love Bubble

Hey, Club Kidz!

It’s 3am, the lights are bursting, my heart is racing, everyone is moving so slow and fast at once and I love everybody!

“Hunny Hunny” is blasting through my skull like fucked-up brain candy.

Who needs that fucking water?!?!?

These platform shoes don’t hurt anymore! 

What’s my phone number?!?!? Move! 

Fuck Off and dance!

Glitter! Glitter! Thump! Thump! Fuck you, Man – - How did YOU get in here?!!? 

We all fall down.

Wait! Dude!?!?

It can’t be stopped. He pulls me and we roll through vomit and piss. Is he kissing me now?!? 

Dance! Just Dance! 

And, now, dancing down some alley.

…dancing to some odd adventure at a grocery store.

Disco groceries?!?!?

The glitter trails behind us as we stumble-dance our way around the aisles. 

Is that noise real or is it in my head?

Is that your hand? 

Can you turn down the lights here?

Thump! Thump!

Tripping out onto the street…

Well, this is just a brief memory from a somewhat forgotten and misspent  youth. 

Matty Stanfield | NYC | 1993

There are still a couple of movies scheduled for release this year, but I don’t hold very high expectations. However, one can’t close his/her mind.

Thus far – these have been my favorite films of 2012:

Lee Daniels’ transgressive The Paper Boy

THE PAPER BOY/Lee Daniels

Rian Johnson’s brilliant puzzle of a movie: LOOPER

LOOPER/Rian Johnson

Todd Solondz’s surreal DARK HORSE

Dark Horse/Todd Solondz

Haneke’s gut puncher: AMOUR

Amour/Michael Haneke

Paolo Sorrentino’s unexpected THIS MUST BE THE PLACE

This Must Be The Place/Paolo Sorrentino

Ridley Scott’s beautifully flawed and thought provoking PROMETHEUS

Prometheus/Ridley Scott

The Queen of Versailles/Lauren Greenfield

Timur Bekmambetov’s Lincoln: Vampire Hunter so earnestly silly that I loved every over-the-top moment.

Abraham Lincoln: Vampire Hunter/Timur Bekmambetov*

Colin Trevorrow’s SAFETY NOT GUARANTEED seemed to come out from nowhere and managed to work on all levels.

Safety Not Guaranteed/Colin Trevorrow

*(I know it was incredibly stupid, but the absurdity of it all made me love it!)

Moonrise Kingdom by Wes Anderson almost made my list, but it somehow just felt too slight for me. However, it was worth the price of admission.

Wes Anderson’s MOONRISE KINGDOM almost grabbed me, but all those great cinematic moments just didn’t add up to much more than a trifle.

Thus far, the two performances by actors that totally blew me away were:

Michelle Williams in Take This Waltz

Michelle Williams fills the screen with heartbreaking power in Take This Waltz

and

Joaquin Phoenix in The Master

Joaquin Phoenix delivers an unforgettable and transformative performance in The Master.

(tho, I didn’t really care for either of those movie — those two actors wereAMAZING in them!)

Looking back, 2012 was one of the worst years I can recall at the cinema. However, there were a few gems. Thus far, these are the ones that most glowed for me. 

WHITE MATERIAL

Claire Denis/2009

Isabelle Huppert, Christophe Lambert and Nicolas Duvauchell

Isabelle searing the screen with strength against all logic in Claire Denis’ quietly powerful WHITE MATERIAL

Destined to go down as one of the best films of the early 21st Century. I think it just takes time for great art to be understood and viewed from the correct perspective. 

The threat of death is ignored for the struggle for what is perceived as hers… Isabelle Huppert in WHITE MATERIAL

As the white woman holds on to the bus filled with hostile Africans, she is determined to claim her rights as a fellow native. …Lost and out of place, but refusing to let go.  She simply cannot fathom that “her” country is no longer – nor has it ever really been – hers.

Nicolas Duvauchelle as the lost son in WHITE MATERIAL

…or that of her family. 

 

I thought I would supply my answers to the following questions:

Chabrol photographed by Pierre-Olivier

What is your all-time favorite movie?
It would have to come down to the following films:
Belle de Jour
Breathless (1960)
The Exorcist/Rosemary’s Baby
Nashville
Manhattan

Belle de Jour

The Exorcist

Robert Altman’s NASHVILLE

Rosemary’s Baby

Jean-Luc Goddard’s Breathless

Woody Allen’s MANHATTAN

Blue Velvet

Blue Velvet

In The Mood For Love/2046
OldBoy (Korean Version)
Hesher/Bellflower
The Big Lebowski
Dogtooth
Weekend
3 Iron

OldBoy

HESHER

DOGTOOTH

In The Mood For Love

Weekend

Kim Ki-duk’s 3 Iron

What is your all-time top best movies list?

Belle de Jour
Nashville
Manhattan
Blue Velvet

The Wizard of Oz

Harold and Maude

The Godfather

Don’t Look Now

The Wizard of Oz

Harold and Maude

The Godfather Parts I and II
Don’t Look Now
In The Mood For Love
O Brother Where Art Thou?

O Brother Where Art Thou?

Fellini’s 8½
3 Iron

3 Iron — weightless love…

Rosemary’s Baby
The Exorcist
Oldboy

Fellini’s 8½

What is your personal favorite movie?
Only ONE?!?!?  I could never limit to only one:
Tommy/OldBoy/A Star Is Born (1976)/The Wizard of Oz/Ma Mere/3 Iron/Wild At Heart/For Pete’s Sake/Survive Style 5+

Ken Russell’s TOMMY

A STAR IS BORN

SURVIVE STYLE 5+

David Lynch’s WILD AT HEART

Diane Ladd in WILD AT HEART

Laura Dern as Lula in David Lynch’s WILD AT HEART

Who are the 5 top most important film makers thus far?

A virtually impossible question to answer as art is so subjective. I am unable to limit it to only five filmmakers
Claude Chabrol
Jean-Luc Goddard
Luis Buñuel
Orson Welles
John Huston
Kim Ki-duk

Kim Ki-duk’s DREAM

Federico Fellini
Robert Altman
Hal Ashby
Roman Polanski
The Coen Bros
Bernardo Bertolucci
Alfred Hitchcock
Wim Wenders

Wim Wenders’ Wings of Desire

Woody Allen
Pedro Almodóvar
David Lynch
Wong Kar-Wai
Paul Thomas Anderson

PT Anderson’s Magnolia – this sometimes happens…

Steven Spielberg
Martin Scorsese
Park Chan-Wook
Lynne Ramsay
Wes Anderson
Wes Anderson's The Royal Tenenbaums
Takashi Miike
Lars von Trier
David Fincher
And, although I am not a fan of his work I think one must list George Lucas as a key film director

Star Wars

Who are the 6 most interesting/talented film actors – male and female?
Male: Brando/Fassbender/DeNiro/Newman/Hardy/Choi Min-sik/Asano
Female: Streep/Theron/Morton/M Williams/Huppert/B. Davis/Hepburn
Which emerging filmmakers interest you?
Evan Glodell
Yorgos Lanthimos
Lena Dunham
Andrew Haigh
Spencer Susser

Evan Glodell’s BELLFLOWER

Which actors gave the most powerful film performances?
Brando: Last Tango
Huppert: The Piano Teacher/Merci Pour le Chocolate/Ma Mere

Isabelle Huppert in Ma Mere

Theron: Monster/Young Adult
Ryan Gosling/Michelle Williams: Blue Valentine
Fassbender: Hunger/Shame
Jean-Paul Belmondo: Breathless

Jean Belmondo in Breathless

Hepburn: Guess Who’s Coming To Dinner
Julianne Moore: Safe
DeNiro: Taxi Driver/The King of Comedy
Robert DeNiro in Taxi Driver
Bette Davis: What Ever Happened to Baby Jane?/Now Voyager/The Little Foxes
Ruth Gordon: Rosemary’s Baby
Choi Min-sik: OldBoy
Shelley Duvall: 3 Women

Shelley Duvall as one of Robert Altman’s 3 Women

Malcom MacDowell: A Clock Work Orange
Tom Hardy: Bronson

Tom Hardy as Bronson

Dennis Hopper: Blue Velvet
Vivien Leigh: A Streetcar Named Desire
Jeff Bridges: The Big Lebowski
Laura Dern: Wild At Heart/Citizen Ruth/Inland Empire

Laura Dern transforms – this time in David Lynch’s INLAND EMPIRE

Jessica Lange: Real Men Don’t Leave
Peter Sellers: Being There
Jennifer Jason-Leigh: Georgia
Gary Oldman/Chloe Webb: Sid & Nancy

Chloe Webb & Gary Oldman as SID & NANCY

Madeline Kahn: What’s Up Doc?/Young Frankenstein
Tony Leung: In The Mood For Love/2046
What is the most important factor regarding the making of a movie?
Editing
Do you read film reviews prior to seeing a movie or after seeing it?
Only the first and last two lines of a film review — and, only then if I am on the fence about whether or not I want to see it. Those 4 lines from a solid film critic will either make me want to pay to see it or skip it.
What are the biggest omissions by the Oscars?
A rather stupid question and there are far too many to list, but…
Gary Oldman/Chloe Webb: Sid & Nancy
Jack Nicholson/Shelley Duvall: The Shining

Jack Nicholson with too much work in Stanley Kubrick’s THE SHINING

Holly Hunter: Raising Arizona/Broadcast News/Crash
Tom Hardy: Bronson
Michael Fassbender: Shame

Fassbender/Mulligan: SHAME

Charlize Theron: Young Adult
Ryan Gosling/Michelle Williams: Blue Valentine
Piper Laurie: The Hustler/Carrie/Hesher
Jared Leto/Marlon Wayans: Requiem for a Dream
Ellen Burstyn: The Exorcist/Requiem for a Dream

Ellen Burstyn in Requiem for a Dream

Jim Carrey: Eternal Sunshine of the Spotless Mind
Julianne Moore: Safe/Magnolia
Mickey Rourke: Barfly/The Wrestler
Ruth Gordon: Harold and Maude
Vanessa Redgrave: The Devils

Vanessa Redgrave in Ken Russell’s THE DEVILS

Bette Davis: What Ever Happened to Baby Jane?
Peter Sellers: Being There/Glenn Close: Fatal Attraction
Faye Dunaway: Momie Dearest/Sandy Dennis: Come Back to the Five & Dime, Jimmy Dean Jimmy Dean
Elizabeth Olsen: Martha Macy May Marlen
Laura Dern: Citizen Ruth
Jeff Bridges: The Big Lebowski

The dude abides. Jeff Bridges in The Big Lebowski

Klaus Kinski: Aguirre, the Wrath of God
Kathleen Turner: Crimes of Passion
Jessica Lange: Men Don’t Leave/Titus
Bill Murray: Lost In Translation

Bill Murray in Lost In Translation

Kim Cattrall: Meet Monica Velour
Tony Leung: In The Mood For Love
Angie Dickinson: Dressed To Kill
Ewan McGregor: Trainspotting

Ewan McGregor in TRAINSPOTTING

Chris New: Weekend
Tilda Swinton: We Need to Talk About Kevin
Tilda Swinton in We Need To Talk About Kevin
Joseph Gordon-Levitt: Mysterious Skin
Michael Fassbender: Hunger/Shame
Nicolas Cage: Wild At Heart
Carrie Mulligan: Never Let Me Go/Shame
Burt Reynolds: Starting Over/Semi-Tough/The Longest Yard
Jennifer Jason-Leigh: Georgia

Jennifer Jason-Leigh in Georgia

Is there any movie you’ve not seen that you would like to see more than any other?
There are two:
Health by Robert Altman

Robert Altman’s H.E.A.L.T.H.

Welcome to LA by Alan Rudolph

Welcome to LA

What are the most interesting cinematic mistakes?
Lisztomania
Valley of the Dolls
Mommie Dearest
Moment by Moment

Lily Tomlin and John Travolta are passionate lovers in Moment By Moment. Viewers are still in recovery…

Blade Runner (brilliantly filmed and hypnotic, but ultimately it never quite works)
Repo! The Genetic Opera
Synecdoche New York
Watchmen

Ken Russell’s Lisztomania

The Tenant
Possession
La Luna

Bertolucci’s Luna …fascinating cinematic mistake.

Fellini Cassanova
Mahogany
Diana Ross as MAHOGANY...
Roller Boogie
Crash (1996)
Funky Forest: First Contact

Funky Forrest: First Contact

What movie most surprised you in 2012 and which movie most disappointed you?
Surprised: THE Paperboy
Disappointed: The Master

Lee Daniel’s The Paperboy

Macy Gray in Lee Daniel’s THE PAPERBOY

Kris Kristofferson Photographed by Jim McGuire, 1990

A friend of mine told me that poetry and poets died away in the second half of the 20th Century. I strongly disagree. While most popular songwriter opt for catchy lyrics with little to no significant meaning there are still a vast number of poets out there. From the song lyrics of Bonnie Prince Billy to Conor Oberst to Regina Spektor to Nick Cave to PJ Harvey to Sondre Lerche to Shelton Hank Williams III: Poetry is very much alive and well.

“For my money the lyrics of Joni Mitchell and Leonard Cohen are right up there with the great poets of all time. The difference is that their words are set to music. However, deep down to the bones of my soul, I’ve always felt a connection to the words of Kris Kristofferson. It almost seems that every song this artist has written is a poetry that speaks to me and my feelings of the world. 

“Jesus was a Capricorn, he ate organic foods.
He believed in love and peace and never wore no shoes.
Long hair, beard and sandals and a funky bunch of friends.
Reckon they’d just nail him up if He come down again.

‘Cos everybody’s got to have somebody to look down on.
Who they can feel better than at anytime they please.
Someone doin’ somethin’ dirty, decent folks can frown on.
If you can’t find nobody else, then help yourself to me.

Get back, John!

Egg Head’s cousin Red Neck’s cussin’ hippies for their hair.
Others laugh at straights who laugh at freaks who laugh at squares.
Some folks hate the whites who hate the blacks who hate the clan.
Most of us hate anything that we don’t understand.

‘Cos everybody’s got to have somebody to look down on.
Who they can feel better than at anytime they please.
Someone doin’ somethin’ dirty, decent folks can frown on.
If you can’t find nobody else, then help yourself to me.

Help yourself, brother. 
Help yourself, Gentlemen. 
Help yourself Reverend.”

Kris Kristofferson, 1974

I do believe that Kristofferson dedicated or thanked a fellow artist, John Prine, regarding this piece/song.

Kris Kristofferson, Jesus Was A Capricorn. Photograph by Jim Marshall, 1974

Kris Kristofferson
Photographed by Jim Marshall, 1975

 

Brad Pitt as Jesse James & Ben Affleck as Robert Ford

The Assassination of Jesse James by the Coward Robert Ford

Andrew Dominik, 2007

Sam Shepard

Cinematography by Roger Deakins

Casey Affleck as The Coward, Robert Ford

Brad Pitt and Casey Affleck

“…There would be no eulogies for Bob, no photographs of his body would be sold in sundries stores, no people would crowd the streets in the rain to see his funeral cortege, no biographies would be written about him, no children named after him, no one would ever pay twenty-five cents to stand in the rooms he grew up in. The shotgun would ignite, and Ella Mae would scream, but Robert Ford would only lay on the floor and look at the ceiling, the light going out of his eyes before he could find the right words.”

The Central Cast of The Assassination of Jesse James by the Coward Robert Ford

A brilliant study in human cruelty and betrayal stunningly filmed by Roger Deakins. 

Matty Stanfield

August/2012

Joan Crawford as Vienna in Nicholas Ray’s JOHNNY GUITAR, 1954

JOHNNY GUITAR

Nicholas Rey, 1954

Joan Crawford as Vienna, Mercedes McCambridge as Emma and Sterling Hayden as “Johnny Guitar” 

Emma: “I’m going to kill you.”
Vienna: “I know. If I don’t kill you first.”

Perhaps the strangest Hollywood Western ever made. Is it a cleverly disguised metaphor for the horrors of the McCarthy Era or an early peek into the taboo of lesbians on the wild frontier? Some sort of trouble brewing in JOHNNY GUITAR

From a typical over-the-top-of-the-Hollywood-Sign performance by Joan Crawford – who seems twice “the man” of any male character in the movie to the Actors Studio Turn of Mercedes McCambridge seething with both anger/lust for Joan Crawford’s character.

Mercedes McCambridge giving all the confused and angry lesbian subtext she can muster as Emma in JOHNNY GUITAR

From the the “oddly” soft performances and lines of the male characters to the almost surreal back-drop of the walls of Joan Crawford’s salon.

I believe the saloon is meant to be built into the earth, but the purposely fake set looks suspiciously yonic. Which of course brings a whole new concept of “eating scenery” — especially for Ms. Crawford. 

Joan Crawford barely notices the strumming of Johnny and he does not seem to mind…

Johnny: “There’s only two things in this world that a REAL MAN NEEDS a man NEEDS in this world: a cup of coffee and a good smoke…”

(hmmm….)

A solid wall between Mr. Guitar and Vienna in JOHNNY GUITAR

Whatever – you will never get bored watching JOHNNY GUITAR…

JOHNNY GUITAR: Certainly Art. Certainly Strange. Certainly Entertaining. But, what does it all mean?

Olive Films has finally issued a remastered print of JOHNNY GUITAR on Blu-Ray which features an introduction by Martin Scorsese. An endlessly interesting twist of a Hollywood Western. 

Matty Stanfield

August/2012

My beloved iPod…

Look it, I know I’m one of those “Aging Hipsters” — I own it. And, I’m not ashamed. Most of my friends who are my age seem to scratch their heads when it comes to my taste in movies, art and music. Tho, a few of them still enjoy the music we all ran to back in the day (the 90′s)

Also, aside from my love of Barbra Streisand — I don’t easily fit into the whole “Gay Community Ideology” or “gay stereotype” — I don’t even like referring to myself as “gay” – this seems to limiting a label that is associated with so many things that I would rather not be associated. 

I’m not at all ashamed of being “gay” and I’ve never been one of those “soft boys” — if someone tries to give me some homophobic shit – I address it. I don’t back down. I stand my ground. …hey, that sounds like a song.

Anyway, so I’m a middle aged queer hipster. I make no apologies. 

Sadly, I’ve lost focus on what I was going to write. Most likely this is due to the fact that I’m getting old! Dammit!

A fun read from Jennifer Blowdryer

The thing is that I can tell I’m “old school” because I clutch my iPhone/iPod as if it were my child. I love music. And, if I get music I do pay for it. I usually download from iTunes. Corporate bullshit, I know. But, I don’t like to just take an artist’s music without having paid. 

Look it — a lot of these people work hard. They deserve more than their labels share with them, but I don’t want to feel like I’m ripping any artist I enjoy off. 

Greedy and Rather Annoying Aging Hipsters: Metallica

Unless we are speaking of Metallica who are so uncool on this issue that I wouldn’t think twice about downloading their shit for free. However, this aging hipsters haven’t recorded a song I’ve liked since the early 90′s. So, that is a mute point.

So, iPods do this shuffle thing based on similarities to your music library and songs that are also liked by others who like one song to the next. In other words, Apple tracks what people download and connects the dots from one song/artist to another. I’m sure they are also gathering information to ultimately own my soul. However, my soul is mine. Good luck to any poor person or entity who thinks it can be had. 

I do not often “shuffle” — as I like to hear what I want to hear when I want to hear it. But, today I was killing time and I was listening to:

Hank3 - “Don’t Ya Wanna”

Hank3 Ghost To A Ghost

from his Ghost To A Ghost album, which is fucking brilliant, by the way. 

I selected “Genius Shuffle” and it came up with an awesome mix! I mean, Apple has me figured out -

Shelton Hank Williams, III — who is now on his way to becoming a cool aging hipster of a sort…

so here are the first 8 tracks of The Hank3 Shuffle:

Hank3/Don’t Ya Wanna

Tom Waits/God’s Away on Business

Tom Waits Blood Money album. Awesome by any measure…

Alice In Chains/Again

Led Zeppelin/The Rover

Led Zeppelin: Physical Graffiti

Marlena Shaw/California Soul

Marlena Shaw: Out of Different Bags — Not sure how this ended up on the shuffle but it totally works.

New York Dolls/Personality Crisis

New York Dolls – Oh, don’t we all harbor a secret crush on Johnny Thunders?

Alice Cooper/I’m 18

Yes, kids – Alice Cooper used to be cool. Love It To Death.

Black Sabbath/Evil Woman

Before drugs, booze and dove heads wore out Ozzy – Black Sabbath was really great…

Fucking awesome mix of 25 songs.

(the 9th/10th/11th songs were “Hellbilly” by H3 and “Slip Kid” by The Who and “Too Drunk To Fuck” by The Dead Kennedys)

The Who: By The Numbers: Before Pete Townsend was deaf and Roger Daltrey was busy running a fish farm. Oh, and Keith Moon and John were still alive…

Anyway, this is a rather rambling post of little import other than Apple has gotten fairly clever with marketing by utilization of their Genius information gathering from users’ music libraries.  

Aging Hipsters: Unite!

Hank3: Hillbilly Joker

Do not go quietly into the night. No, my friends. Rock. Rock the fuck out, baby…

Matty Stanfield

August/2012

 

A Film By Lynne Ramsay

WE NEED TO TALK ABOUT KEVIN

Lynne Ramsay, 2011

Tilda Swinton and Ezra Miller

Musical Score: Jonny Greenwood

“…In the wake of a tragedy like the Colorado shooting, the families of victims must navigate a complicated emotional landscape. But so, too, must the families of those charged with the crimes, as they suddenly face all kinds of deeply disturbing questions…”

, NPR - All Things considered, August 1.2012

Tilda Swinton and John C. Riley in WE NEED TO TALK ABOUT KEVIN

With the most recent senseless tragedy, it reminds me of how everyone gets tied up in all the wrong questions — the biggest error in thinking is to ask “why” —

Something that both the book and the film by Lynne Ramsay address is that beyond that insanely simple question lies the more important concern: “how does this end up happening?” 

As a society we are so quick to blame the parents, but in truth the problem goes much deeper. The “signs” and “messages” sent by a child/young person/adult sends are sometimes quiet and disarming to those closest to them. Objectively, there are always “signs” and “messages” but we as a society fail to take notice. We fail to address. We fail to actually listen to the people around us. 

A parent going it alone in her concerns…

When a spouse/parent/sibling/lover/teacher/doctor/fellow student/co-worker/friend/supervisor notices something and brings it to the attention of another – the knee jerk reaction is to comfort and question. This knee jerk reaction is a more comfortable way to respond to someone saying things like:

“I’m concerned about the way Kevin is acting.” 

“Kevin acts one way with you but another with me.”

“Something Kevin did really worries me.”

“Why does Kevin never come out of his room?”

…is to say something like: 

“Oh, I’m sure Kevin will be fine.”

“Don’t worry so much. Kevin is just going through a phase.”

“I think you’re exaggerating.”

“Oh, well, look it – Kevin’s under a lot of pressure. He’ll work through it.” 

This is a mistake. Not only do we fail to provide an individual to express their concerns and treat them as possibly valid as have many relatives, friends, co-workers, teachers, students and even doctors. This was certainly the case for the families of the two students who committed the unspeakable crimes in Columbine. The parents did seek help and it is clear that the parents of the young man who premeditated a horror beyond imagination at a cinema in Colorado. 

If someone in your life expresses a concern about anything — you need to listen and talk about Kevin. 

The self-defensive and easy way is to avoid discussion. The important thing is to actually push to discuss and address.  Otherwise, the caring people closest to the criminals are left alone. Isolated and blamed. Ignored, Alone and Ultimately Blamed...

We learn this from every family that goes through the horror of discovering that their child or their husband or lover or friend or brother or sister or relative is a mass murderer.  And, most often, we as a society/culture place the blame on those closest to the criminal. They then become the ultimate criminal in our minds. Which is so wrong.

No parent sets out to raise a cold-blooded killer. 

A mother worries. A father rolls his eyes. And, a doctor hurries through and pays no attention…

We need not ask “why” — we need to ask “how” and to start listening to the people we care about and with whom we share and spend our time. 

“Why” is the easy way out….

Recently, the father of the man who is The Unabomber stated that he and his wife plan to write the parents of the man who took so many innocent lives in a Colorado cinema to let them know that they are not alone and that they are available to talk with them if they need to do so.
Imagine the enormous feeling of guilt and absolute failure to discover that your child has committed such an evil act.
My love and positive thoughts for healing go out to all the people who lost so much but also to the family of the man who caused these loses.
WE NEED TO TALK ABOUT KEVIN…
Matty Stanfield
August/2012
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